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What to read: September fiction - - - - - - - - - - - - Sept. 13, 2000 | The leaves haven't started falling yet, but reviewers across the country are already wading through piles of books -- and "fall preview" issues are lying pretty thick on the ground as well. We're not about to recommend any book to you unless we've actually read it first, and you'll find longer reviews of the major September releases in Salon Books throughout the month (so far, we like the Margaret Atwood, the Kazuo Ishiguro and the Michael Chabon). But there are plenty of less flashy titles to reach for if none of the big books strikes your fancy. According to publishing tradition, this is the month when more challenging fiction starts appearing in bookstores, but if some of our September picks are more serious than sunny, they'll richly reward everyone who reads them.
Coney
Think Isaac Bashevis Singer with an intermittent but unflappable hard-on -- and there you have Amram Ducovny's "Coney," a strangely beguiling coming-of-age story studded with fantastical forays into sexual mayhem. Harry Catzker, the novel's protagonist, idles away his 15th year roaming the streets and alleyways of Coney Island circa 1939: He turns a budding naturalist's eye on a pack of feral dogs, tracking their comings and goings and their curious infighting; he barrels down the boardwalk on his bicycle, racing his imaginary nemesis, a German liner captain whose ship lurks on the horizon; he engages the family's boarder, a Polish émigré and Yiddish poet named Aba, in gloriously poetic conversations up in the backyard cherry tree; and he gets beneath-the-boardwalk blow jobs from Schnozz the old penny arcade owner. Whoa there -- what? Precisely. This debut novel by Ducovny, the father of "The X-Files" star David Duchovny and the author of 10 previous nonfiction works, seesaws between sweet, sepia-toned interludes from Harry's adolescence -- with some old-timey gangster intrigue thrown in for momentum -- and jostling episodes of carnal pandemonium that include a circus-freak orgy, Harry's deflowering at the hands of Fifi the Fat Lady and a wheelchair-bound crime boss and his dwarf henchman having sex with both ends of a prostitute while playing an invented game of cards on her back. Like Jerzy Kosinksi before him, Ducovny uses a child's imagination as a device to explore the nether region between the probable and the improbable. The result is a saucy and affecting fable of Jewish life in America, an alluringly lurid novel bursting with a Gogolesque coupling of tragedy and comedy and twinkling with the decadence of Coney Island, that playground of yore of American desire. --Jonathan Miles
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Maya Angelou reads from "The Heart of a Woman" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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