"Me, Myself & Irene" Jim Carrey's manic acting skills shine in the latest from Ÿber-booger geniuses Peter and Bobby Farrelly.
By Stephanie Zacharek (06/23/00)

"Chicken Run" The first feature from the creators of "Wallace and Gromit" is a plucking good time.
By Michael Sragow (06/21/00)

"Gone in 60 Seconds" In the new Jerry Bruckheimer movie, see cars go fast and get banged up!
By Charles Taylor (06/09/00)

"Big Momma's House" Martin Lawrence, no Eddie Murphy, takes a reheated cross-dressing shtick and turns it into something to elate your inner fourth-grader.
By Andrew O'Hehir (06/02/00)

"Love's Labour's Lost" His new musical version of "Love's Labour's Lost" is flawed, but Kenneth Branagh remains our greatest living interpreter of Shakespeare.
By Charles Taylor (06/09/00)

"Hamlet" There's something rotten in Denmark, but not in this darkly glittering update of Shakespeare's great tragedy.
By Stephanie Zacharek (05/12/00)

"Battlefield Earth" L. Ron Hubbard's pulp sci-fi classic comes incomprehensibly to the screen starring Scientologist John Travolta.
By Andrew O'Hehir (05/12/00)

"Gladiator" We who are about to be bored salute you!
By Andrew O'Hehir (05/05/00)

"Up at the Villa" The new film from the folks who gave us "Angels and Insects" is strictly "Minor Piece Theatre."
By Michael Sragow (05/05/00)

"U-571" Damn the torpedoes! Damn the formulaic modern American action movie!
By Charles Taylor (04/21/00)

"American Psycho" Mary Harron's clinically ironic take on the infamous Bret Easton Ellis novel tastefully avoids showing murderous violence -- and making a point.
By Stephanie Zacharek (04/14/00)

"Set Me Free" A 13-year-old girl falls in love with a glamorous fictional prostitute in this elegiac coming-of-age story.
By Stephanie Zacharek (04/28/200)

"Where the Heart Is" With an Oprah-book plot and Hallmark sentimentality, the trailer-park melodrama never lets you forget that Natalie Portman and Ashley Judd are hot babes with perfect complexions.
By Andrew O'Hehir (04/28/2000)

"The Revenge of the Sex Pistols" Blood, chaos, hatred and fear: The lads who changed rock history tell the story their way.
By Bill Wyman (04/28/2000)

"Gossip" It doesn't really matter who sleeps with whom in this sub-"Melrose Place" college fantasy, just that both actors will end up shirtless.
By Andrew O'Hehir (04/21/2000)

"The Virgin Suicides" Sofia Coppola finds the bare-bones poetry of Jeffrey Eugenides' novel.
By Stephanie Zacharek (04/21/2000)

"28 Days" Not even court-ordered rehab could save this stumbling drunk of a picture.
By Charles Taylor (04/18/2000)

"Keeping the Faith" Edward Norton's dopey directorial debut gives interfaith romance a bad name.
By Andrew O'Hehir (04/18/2000)

"Where the Money Is" Credit aging bank robber Paul Newman for almost saving this merely diverting little heist comedy.
By Charles Taylor (04/14/00)

"Return to Me" David Duchovny and Minnie Driver star in a movie that almost seems like a godsend in this age of romantic-comedy schmaltz.
By Stephanie Zacharek (04/07/00)

"Joe Gould's Secret" Stanley Tucci and Ian Holm face off as a New Yorker writer and the loopy Greenwich Village street character he turned into a celebrity -- with devastating results.
By Charles Taylor (04/07/00)

"Ready to Rumble" Is it a feature-length commercial for World Championship Wrestling or a juvenile work of deviant genius -- or both? By Andrew O'Hehir
(04/07/00)

"High Fidelity" Love, rock 'n' roll, lists and record-store geeks come together swimmingly in the romantic filmed version of the Nick Hornby novel.
By Stephanie Zacharek (03/31/00)

"The Skulls" Evil lurks in the hallowed halls of higher education; so does lousy dialogue. By Andrew O'Hehir
(03/31/00)

"Erin Brockovich" In this sexy, exciting legal drama, Steven Soderbergh delivers his most straightforward movie -- and Julia Roberts her best performance.
By Charles Taylor (03/17/00)

"Romeo Must Die" In this canny and ingeniously crafted action thriller, Jet Li glows with a quiet, unquantifiable something -- and he kicks butt. By Andrew O'Hehir (03/24/00)

"Mission to Mars" In space, no one can hear you jeer.
By Andrew O'Hehir (03/10/00)

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